Where my previous drilling photos were located near the center of Concession 20 and in the northern part, this one (I'm fairly sure from its sequence in my collection) is from the southern end of the concession.
This wadi had obviously seen some reliable moister over the years judging by the palm tree. There's also some scrubby bushes around. The surface also looks 'caked' rather than sandy or gravelly.
Consequently we ended up down at the harbor at midnight, which is when I captured the image above. The low angle of the sun, hanging just above the horizon, provided 'golden hour' light for the warm tones in this shot.
I've no idea what this piece is called, nor who the artist is, nor anything else about the piece. I'd love to know more if anyone out there reading has any knowledge or Norwegian friends.
Here, one of my traveling companions enjoys the fantastic scenery with the Eiger and Mönch forming the backdrop across the valley.
Order a print of this photo I've no idea what the Korean language on the poster says. Judging from the cross on the figures head I'm guessing it's some sort…